The 100th Window Tour (2003) explored digital representations of information, using real-time news to create a ‘picture of now’. The 2004 festival tour showed a more focused, distilled version of the 2003 visuals, silhouetting the band and using lighting technology to display more abstract video content, which was a fairly new technique.
For the third Massive Attack tour in 2006, a more organic, audio-responsive show was created. This was presented on a hemispherical screen made of ultra-bright beamer LEDs. UVA created a new stage set with a wide, sculptural LED screen as the centrepiece for the fourth tour in 2008. These visuals were the group’s most explicitly political yet. As with all previous tours, perfect synchronisation between the music and the visuals was made possible by the disguise software.