news 2021 5 min read

disguise at the core of XR Stage’s new virtual production film location

disguise at the core of XR Stage’s new virtual production film location

We take a look at one of the top xR and virtual production spaces opened in the United States in the past year to discover how it played host to some of the most cutting-edge productions using our workflow.

As key players across all industries continue to turn to xR and virtual production, they are exploring what the workflow and related new technologies can do to engage and immerse audiences in entertainment, communications, branding and information sharing.

As a result, xR stages have been popping up around the world, providing environments tailor-made to facilitate extended reality applications with specialty equipment for creating compelling content and hosting real-time or pre-recorded events.

Our disguise xR workflow is often at the heart of these stages, integrating with LED video displays, render engines, cameras and camera-tracking systems to deliver easy-to-use solutions for our customers and partners.

XR Stage, is a multi-stage virtual production film location in Los Angeles, opened for business in 2020 with our xR workflow at its core. With a combined 25-plus years of experience supplying LED panels and providing live event production services, XR Stage represents a new division of Global Trend Productions. Global was early to embrace LED video panels, spending months working in China, learning all they could about how LEDs function and are manufactured. With this knowledge, a large supply of LED panels in stock, and the coronavirus pandemic putting live events on pause, Global decided to create XR Stage; an ultramodern virtual production facility for forward-thinking content creators.


XR Stage features three studios and an inventory of more than 11,000 high-resolution premium ROE LED tiles and Brompton Technology advanced LED processing for clients in film, episodic TV, advertising, gaming, music and live event production who are eager to break boundaries in content creation. 

The largest of the three spaces, XR Film Stage, boasts an expansive 62-foot, four-part, 270° LED backdrop plus LED ceiling. XR Performance Stage has a 38-foot, 180° LED backdrop and LED ceiling, while XR Live Stage is outfitted with 28 feet of wraparound LED panels, theatrical lighting and truss.  A new 53-foot diameter 270° LED stage with ceiling has recently been installed by XR Stage at Line 204 Sound Stages for immediate use through XR Stage.

disguise expertise shines through in XR Stage projects

Global has deployed disguise media servers as tools for the live events industry for years. Familiarity with our systems and access to a pool of local disguise programmers and operators made disguise a logical choice to become the engine behind the creation of XR Stage and a critical part of its system pipeline, says Keith Neves, Marketing Director for XR Stage.

Keith credits our wide array of resources of toolsets, webinars, guides and xR promotion in helping his team prove to prospective clients that the technology is advancing and being adopted by creators worldwide at the highest production levels. Our teams have also supplied unmatched support to help XR Stage adapt and use its existing live-event resources and expertise to transition quickly to xR.

This move has been swift and very successful. XR Stage have built a roster of top projects, representing many different content creators. General Motors, Nissan and LG have already used the stage for virtual commercial production. Helmed by feature director Marc Forster (‘World War Z’, ‘The Kite Runner’, ‘Quantum of Solace’), the action-packed Nissan advert was shot with backdrops across all 360° of the LED volume. It also incorporated footage of Academy Award winner Brie Larson at the wheel.

Watch the Nissan advert.

Framestore’s short film, ‘Blink’, took advantage of the LED volumes with scenery that blurred the line between the physical and digital worlds. The University of Southern California’s Entertainment Technology Center worked with XR Stage on the short, ‘Ripple Effect’. And director MP Curtet shot ‘Travel Without Traveling’ for MJ68 Productions showcasing a digital road trip across the US from beaches and snowy mountain peaks to midtown Manhattan – all on the XR Film Stage.

In collaboration with Insomniac, XR Stage has hosted today’s most prominent electronic dance music artists who have live-streamed DJ sets to hundreds of thousands of viewers. 

 

Creative collaboration is key for XR Stage

Several projects have involved partnering with San Francisco-based creative agency All of it Now (AOIN). The Nissan spot, Framestore’s ‘Blink’ and ‘Travel Without Traveling’ all featured AOIN’s invaluable contributions to these unique virtual productions. 

Read more about XR Stage's partnership with All of it Now

Armed with this early credit list, XR Stage looks to educate markets on the benefits that xR technology brings to the content creation pipeline. Increased numbers of proven case studies bolster prospective clients’ confidence, and the technology’s cost savings will become better known over time, too.

See the ‘Travel without Traveling’ short.

Keith believes xR is central to his team’s business model as it encompasses everything they are looking to develop: “xR is in our DNA. It’s the reason we acted so quickly to offer a full turnkey virtual production solution to the next generation of content creators.” 

Even after the pandemic is over, the team expects xR to be part of the fabric of future production for all markets. “We believe xR marks an evolution in storytelling, and that content creators will harness the technology to craft narratives never before imagined.”

Download our infographic 'Now is the time for xR'

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