Theatre

Telling compelling stories in theatre

disguise enables video designers and production engineers to push the boundaries of theatre, using video to add a meaningful extra dimension to the narrative of the show.

With the help of the disguise solution, teams can turn their vision into a technical reality. Using real-time editing tools, they can fine-tune the production to the wire to make every second count before curtains up.

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Bring ideas to life on stage

The disguise platform provides an end-to-end workflow for theatre productions. Combining real-time 3D visualisation-based software with high-performance hardware, disguise enables teams to save time and effort by adapting control of its systems to fit their own process and bring their ideas to life on stage.

Real-time 3D pre-visualisation

Visualise, design and sequence your project before stepping into the theatre to align your team, and deliver the show on time.

Pioneering projection

Accurately project high-quality video content onto surfaces of any shape or size without compromise.

Integrations

Integrate seamlessly with industry-leading tools to cue automation, lighting, audio, scenery and tracking systems ahead of time.

Flexible output

Output any video signal without changing the system. Mix signal formats and resolution types with near-zero latency.

Cross-team collaboration

Ensure both creative and technical teams are working towards the same goal using a single, flexible and integrated platform.

More than technology

Benefit from world-class support and training. Access an active community to unlock the full potential of the disguise solution.

Want to learn more?

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Dear Evan Hansen

“I’ve always skirted the edge of disguise’s capacity in my shows. We are working in a tiny space but with 40 HD video channels and require the capacity of the vx 4 to deliver them. Peter Nigrini, Projection Designer

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The Lehman Trilogy

“We have been very impressed with OmniCal’s capabilities. It enables us to continue to be bold and deliver the designers’ wishes without having to compromise on any aspect.” Dominic Bilkey, Head of Sound and Video, National Theatre

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Disney's Frozen - The Musical

“By using the gx 2 we didn’t have to limit the art of the show. It allowed for increased head room for graphics processing and a level of finish that we previously wouldn’t have been able to achieve on a conventional machine.” Adam Young, Co-founder, FRAY

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Qing Show

“disguise’s Projection Study tool was an essential part of the process ensuring accuracy in positioning of projectors, as well as providing a way for the content team to test their files with the disguise project.” Stan Walbert, CEO, Stello Productions

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The right tools to do the job